Barakah Roots

Life of a Big Family Mom

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Reflections, Sisterhood, United Arab Emirates

The Lunch That Lasted Until 10:00

Yesterday, something shifted. It started as a simple suggestion—a meeting for inspiring ladies near my house in Sharjah. SubhanAllah, it blew up. Suddenly, thirty women were gathered at Sadaf Restaurant,…

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April 5, 2026
Motherhood Unfiltered, Nostalgia, Pop Cultures

My TV Memory Lane, from Oshin to Si Komo

Memory is a funny thing. When I look back at my childhood in Indonesia, I often lump all my favorite shows into one giant, sunny morning. But if I’m being…

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April 13, 2026
Islam, Marriage, Reflections

The Tuna Heist and the Moussaka’ah Mistake

Before I was the mom of ten, I was a girl with a tangled tongue in a very cold room. My husband and I were traveling to California to meet…

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April 15, 2026
  • Reflections,  United Arab Emirates

    My LinkedIn Profile and the “Chief Justice of Book Disputes”

    April 5, 2026 / No Comments

    Today, I opened LinkedIn. Just a casual scroll. Big mistake. One by one, the profiles of old friends started appearing. And Allahumma barik, they are doing well. Very well. “Senior Strategy Manager.” “Head of Global Operations.” “Director of Innovation.” I saw promotions, high-level achievements, and photos of keynote speeches at conferences. There were big corporate words I don’t even fully understand anymore. And then, there was me. The Identity Gap My profile hasn’t had a title update in years. There is no career ladder here—just a mountain of laundry and a messy kitchen. For a moment, I felt it: that sharp, cold sting of comparison. What if I had chosen…

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    mamabarakah

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    From Surabaya to Riyadh: The Barakah of the Empty Hours

    April 6, 2026
    A collage centered on a classic portrait of Jane Austen in a blue dress and bonnet, surrounded by four stylized panels of diverse women. To the left, a woman in a warm orange hat and another in a dark green hijab are framed by soft floral patterns. To the right, a woman in blue and two silhouetted figures are depicted in a vibrant, pop-art and watercolor style. The composition illustrates the bridge between 19th-century literature and modern, multicultural identity.

    Hijabi’s Path to Jane Austen’s Longbourn

    April 14, 2026
    A bright, airy kitchen scene showing the faceless hands of a Muslim mother and her children preparing a large meal. In the foreground, a mother's hands stir a steaming stainless steel pot on a modern stovetop. Nearby, children's hands are busy chopping vegetables and reaching for fresh fruit. On the side counter, a multi-cooker and rice cooker sit among grocery bags, while a hand-designed family chore chart is visible on the wall in the background. The atmosphere is warm, sun-drenched, and captures the busy, organized rhythm of a large household

    How I Feed 12 People Every Week (The Logistics of Barakah)

    April 12, 2026
  • Reflections,  United Arab Emirates

    The S26 Ultra and the Fear of the Escape

    April 5, 2026 / No Comments

    I am currently typing this on a phone that is warming my palm, dreaming of a luxury I’m not sure I’ve earned. I have a confession: I want the Samsung S26 Ultra. I want the crisp camera to capture the small details of my life. I want the tech that feels like a reward for the years I’ve spent on a device that is slowly showing its age. But as much as I want it, I am also afraid of it. The Contentment Conflict The truth is, my phone right now is fine. It works perfectly okay for the daily basics. I am grateful for it, and I don’t want…

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    mamabarakah

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    A dramatic five-panel collage illustrating a first Umrah journey. The top panels show the Masjid al-Haram at night, a lonely desert highway at sunset, and the back of a woman in a black abaya. The bottom panels feature a car dashboard with a glowing 'Fuel Low' warning light and a pair of open hands raised in prayer before the Kaaba in Makkah. The imagery captures the transition from the vulnerability of a desert road trip to the spiritual sanctuary of the Haram.

    The Road to Makkah, My First Umrah and the Hijab in the Mataf

    April 12, 2026

    Vulnerability as a Woman’s Strength

    April 8, 2026
    A close-up shot of a fold-down airplane tray table in a dimly lit cabin. Two empty metallic tuna tins are stacked on a white napkin. A brown leather journal with a pen and a red paper cup are nearby. To the right, a passenger in a dark sweater rests their hand on their belly. The scene is illuminated by a warm overhead reading light.

    The Tuna Heist and the Moussaka’ah Mistake

    April 15, 2026
  • Reflections,  United Arab Emirates

    One Full Trolley

    April 5, 2026 / No Comments

    This week, I filled one full trolley. The big one. At Lulu. But it didn’t start at the supermarket. It started at home, peering into the fridge and the pantry. One lonely cucumber, half-empty milk, and the kind of leftover rice that no one really wants anymore. That was when the “thinking” began. The Mental Map Before I even reached for the car keys, I was already carrying a load. It’s the list no one else sees: By the time I was walking through the aisles, I wasn’t just shopping. I was navigating a map of my family’s needs and moods. Item by item, it didn’t feel like much. Milk.…

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    mamabarakah

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    A dramatic five-panel collage illustrating a first Umrah journey. The top panels show the Masjid al-Haram at night, a lonely desert highway at sunset, and the back of a woman in a black abaya. The bottom panels feature a car dashboard with a glowing 'Fuel Low' warning light and a pair of open hands raised in prayer before the Kaaba in Makkah. The imagery captures the transition from the vulnerability of a desert road trip to the spiritual sanctuary of the Haram.

    The Road to Makkah, My First Umrah and the Hijab in the Mataf

    April 12, 2026

    Vulnerability as a Woman’s Strength

    April 8, 2026
    Watching Titanic as a Grown Muslim Woman

    Rewatching Titanic as a Grown Muslim Woman

    April 9, 2026
  • Reflections,  Sisterhood,  United Arab Emirates

    The Lunch That Lasted Until 10:00

    April 5, 2026 / No Comments

    Yesterday, something shifted. It started as a simple suggestion—a meeting for inspiring ladies near my house in Sharjah. SubhanAllah, it blew up. Suddenly, thirty women were gathered at Sadaf Restaurant, sharing a meal and a space that we all desperately needed. We ate (the food was incredible—I finally learned that Barberries are their own tiny, tart magic on rice!), but more importantly, we exhaled. Finding the “Me” in the Middle of “Them” As expat women in a faraway land, it is so easy to lose yourself. We talked about the struggle of being “just” a mom, “just” a wife, “just” a daughter. For a long time, I’ve struggled with the…

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    mamabarakah

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    Birth and The Raw Truth of Surrender

    April 10, 2026

    One Full Trolley

    April 5, 2026

    Tangled Hair and Me

    April 5, 2026
  • Children,  Reflections,  United Arab Emirates

    Tangled Hair and Me

    April 5, 2026 / No Comments

    As an Indonesian, my hair has always been simple. It is straight, fine, and easy to manage. I rarely keep it very long; once it grows past a certain point, it starts falling like rain in the monsoon back home. So I had to cut it shorter. It is always like that. It is predictable. It is quiet. My daughters, Allahumma barik, are the complete opposite. Their hair is a wild, beautiful crown—curly, dry, coarse, and long. In the Arab world, this is the “ideal.” People love to see it flowing. But the reality of living with that beauty is a weight I don’t always have the energy to carry.…

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    mamabarakah

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    The Forty Days Postpartum Rest We Forgot

    April 11, 2026

    The Lockdown Chronicles (Part 3): The Lonely Hallway and the Chorus of Cries

    April 7, 2026
    A colorful, watercolor-style collage of iconic childhood characters and figures from 1980s and 90s Indonesian television. The top half features animated characters Doraemon, Shin-chan, and Chibi Maruko-chan alongside the live-action hero Ksatria Baja Hitam (Kamen Rider Black). The bottom half shows a realistic illustration of the Japanese drama character Oshin as a young girl and woman, and a portrait of the friendly dragon Si Komo with the smiling mentor Kak Seto. The entire composition is set against a soft, pastel-colored artistic background

    My TV Memory Lane, from Oshin to Si Komo

    April 13, 2026
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About Me

Umm Abdallah

I’m an Indonesian mother of ten, now making a home in the Middle East. Most of my days are spent navigating the beautiful, heavy, and often messy reality of a large family and a body that requires me to move a little slower.

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Categories

  • Birth (1)
  • Books (1)
  • Children (3)
  • Covid 19 (3)
  • Doula (2)
  • Hadith (1)
  • Islam (7)
  • Marriage (3)
  • Motherhood Unfiltered (7)
  • Movie (1)
  • Nostalgia (2)
  • Pop Cultures (4)
  • Quran (1)
  • Reflections (17)
  • Saudi Arabia (5)
  • Sisterhood (1)
  • Spiritual Perspectives (6)
  • The Big Family Life (2)
  • United Arab Emirates (5)
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