Barakah Roots

Essays on faith, motherhood, memory, and belonging.

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A warm watercolor illustration of a family practicing appreciation and gentle guidance at home. In the foreground, a Muslim mother embraces her smiling son as he completes his schoolwork, celebrating his effort with quiet affection. In the background, a father offers calm instruction to another child while a young girl listens nearby. Golden afternoon sunlight fills the cozy room, where books, plants, a lantern, and cups of tea create a peaceful atmosphere. The scene reflects encouragement, mercy, family connection, and the balance between recognizing effort and offering loving correction.

The Missing Ten Percent

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A soft, warm watercolor illustration in a gentle children's book aesthetic showing a Muslim mother in a long cream-colored gown and a dusty rose hijab. She stands in side profile, looking thoughtfully into a large full-length mirror in a bedroom filled with amber afternoon sunlight. Her hand rests gently on her waist as she contemplates her reflection. In the background, elements of a full, busy life are visible: a neatly folded stack of laundry on a chair, a children's book titled "The Little Muslimah" on a nightstand, and a framed Quranic reminder hanging on the wall that reads "And rely upon Allah; and sufficient is Allah as Disposer of affairs (33:3)." Subtle, magical light effects and star dust trail softly across the foreground.

I See Myself in Her

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A warm watercolor illustration depicting a mother building systems to reduce daily friction. Prepared fruit, organized groceries, reusable containers, and helping children reflect the unseen accommodations many women create to navigate chronic fatigue, brain fog, and limited cognitive bandwidth.

The Neurodivergent Tax

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Muslim woman in a hijab sitting by the sea at sunset in a colorful watercolor illustration, reflecting on midlife, caregiving, and renewal.

The Inner Thoughts of a Perimenopausal Woman

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A vibrant watercolor illustration of a festive all-women's Muslim pool gathering. In the foreground, a large buffet table is filled with samosas, fresh fruit, popcorn, and drinks. Women wearing beautiful, colorful hijabs chat inside a decorated living room, while one mother looks out a large window to watch children happily swimming in a backyard pool with a pink flamingo float.

When Everyone Speaks the Language of Invisible Work

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  • A collage centered on a classic portrait of Jane Austen in a blue dress and bonnet, surrounded by four stylized panels of diverse women. To the left, a woman in a warm orange hat and another in a dark green hijab are framed by soft floral patterns. To the right, a woman in blue and two silhouetted figures are depicted in a vibrant, pop-art and watercolor style. The composition illustrates the bridge between 19th-century literature and modern, multicultural identity.
    Pop Cultures

    Hijabi’s Path to Jane Austen’s Longbourn

    April 14, 2026 / No Comments

    It might seem like a stretch. What does a 19th-century Englishwoman—preoccupied with balls, bonnets, and social standing—have to do with a 21st-century Muslim mother of ten in the UAE? On the surface, our worlds are oceans apart. But when I open a well-worn copy of Pride and Prejudice, I don’t feel like I’m reading about a stranger. I feel like I’m looking into a mirror. The Path Through the Woods I’ll admit, my love for Austen didn’t start with the dense, original prose. English is not my first language, and the intricate, looping sentences of the 1800s were a challenge to grasp. I took the scenic route. I started with…

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About Me

Umm Abdallah

I’m an Indonesian mother of ten, now making a home in the Middle East. Most of my days are spent navigating the beautiful, heavy, and often messy reality of a large family and a body that requires me to move a little slower.

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